Antibiotic Resistance

 

 

Basic Mechanisms of Antibiotic Action against Bacterial Cells

One of the mechanisms of antibiotic action is the inhibition of cell wall synthesis in the bacteria (Kawai et al. 1716). Drugs used in this mechanism are the beta-lactams and bacitracin. Another mechanism is the inhibition of protein synthesis. This is achieved through interference in either the 30s or 50s ribosome sites (Connell et al. 3676). Examples of drugs used in this process include chloramphenicol and aminoglycosides. Other antibiotics alter the cell membrane which results in interference with cell membrane permeability. Examples include polymyxins and bacitracin. Antimetabolite antibiotics such as trimethoprim and sulfonamides work by inhibiting the synthesis of nucleotides which are required for DNA synthesis. The final mechanism is the inhibition of nucleic acid synthesis hence preventing DNA and RNA synthesis. Examples include metronidazole and rifampin.

 

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Ways of Building Resistance

Resistance to antibiotics develops with time. One of the ways bacteria manage this feat is by restricting access to the antibiotic. Another way is by altering or destroying the antibiotic. This is done by secreting enzymes that break down the drugs. Getting rid of the antibiotic is yet another means of resistance. Some bacteria change the target of the antibiotic while others develop new cell processes different from those targeted by antibiotics. Such processes utilize enzymes that are insensitive to the drugs (Peters et al. 10787). Bacteria can also alter the structure of molecules that antibiotics are meant to bind with. Finally, some bacteria can offer protection to antibiotic target sites. An example is the protection of 30s ribosomes, whereby molecules within the cell can dislodge the antibiotic from the ribosomes hence preventing its inhibitory effects (Connell et al. 3677). These are the different ways bacteria develop resistance against antibiotics.

Works Cited

Connell, Sean R., et al. “Ribosomal Protection Proteins and Their Mechanism of Tetracycline Resistance.” Antimicrobial Agents and Chemotherapy, vol. 47, no.12, 2003, pp. 3675-3681.

Kawai, Yoshikazu, et al. “Cell Wall Inhibition in L-Forms or Via Β-Lactam Antibiotics Induces Reactive Oxygen-Mediated Bacterial Killing through Increased Glycolytic Flux.” Nature Microbiology, vol. 4, no. 10, 2019, pp. 1716-1726.

Peters, Katharina, et al. “Copper Inhibits Peptidoglycan LD-Transpeptidases Suppressing Β-Lactam Resistance Due to Bypass of Penicillin-Binding Proteins.” Proceedings of the National Academy of Sciences, vol. 115, no. 42, 2018, pp. 10786-10791.

 

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Chimamanda Ngozi Adichie’s Purple Hibiscus

 

Introduction

Chimamanda Ngozi Adichie ‘Purple Hibiscus’ is a novel for young adults. As a postcolonial manuscript, the novel provides a critique of the patriarchal domination, colonial forces, and Christian religion-associated violence. The narrative also uses different characters to criticize the Igbo culture. It challenges the menfolk’s dehumanizing propensities. Also, it unearths the African notion of an ideal woman that remains silent in spite of brutality, unfair treatment, and humiliation, to be professed as a good woman. The ultimate goal of the work is to stimulate a revolution that paves the way for the survival of females, males, and children altogether. In the end, the African household setting emerges as a harbor of hope, revival, self –healing, and recuperation. However, before liberation, the leaders of the patriarchal system in propagating oppression must face the costs of their actions through death. Although their death challenges the womanist’s ideal of unity and harmony, it is crucial for the fulfillment of the womanist vision of females, males, and children’s survival. The main themes in the Purple Hibiscus are the extreme demonstration of power, violence, gender (feminism), religious dogmatism, denial of rights, and silence. Adichie’s work, Purple Hibiscus, has substantially contributed to feminist activism in the postcolonial society and on a global scale.

 

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Importance of Feminism in Purple Hibiscus and its influence on both Africa and the Global Scale

The issue of feminism in the African novel is explored in the Purple Hibiscus. The propensities of men to dehumanize women manifest in character Mama, Beatrice Achike. She exposes the perception of an ideal woman in the African concept. The woman remains dump regardless of any form of torture. It also illustrates how the characters’ series of humiliation lead a radical approach in the attainment of their freedom.

In the narrative, Adichie presented feminism in two forms, which are Radical feminism and African feminism. African feminism is all about being liberal and tolerant of men. Radical feminism, on the other hand, involves the use of violence to attain freedom. The two women, Aunty Ifeoma, who is painted as a real woman and Mama’ Beatrice Achike ‘who represents a good woman, are the mirrors of African and Radical feminism, respectively (Akpome 9850). In the beginning, Adichie presented Mama as an obedient and quiet woman. As an African woman, she endures all sorts of victimization and brutality from her husband. She does this to be perceived as a good woman for the sake of feminism issues in the African novel and Adichie’s Purple Hibiscus. After all, Becoming a divorcee is a taboo in the African tradition. The character, however, changes towards the end of the narrative. They lead a radical line of attack to gain freedom upon being pushed to the wall. According to the authors, Achike fits in the liberal feminism category. They argue that she is forced by circumstances to react and become radical to eliminate any obstacle in her way towards happiness.

Purple Hibiscus is mainly located in Nigeria during the postcolonial culture, literary thematization, and nationalism to enable the reader to comprehend its importance in the context of social critique and feminist. The male writers dominated literary anti-colonial activism. They often used males as the leading character to articulate the perspective of masculinity in the issue. Adichie’s work seeks to subvert the supremacy of the masculinity outlook on postcolonial culture and nationalism. The novel emerges as one of the most influential Chinua Achebe works portraying the Nigerian literature view, thus evoking a robust sense of naturalism of culture among the former subjects of colonialism in Nigeria, other territories in Africa, and beyond.

One of the most significant elements of the Purple Hibiscus is the place and the timing of the novel. It is set in Nigeria in the 1990s when the territory was under the dictatorship of a brutal military. The narrative offers informative commentary on political and social oppression, which were predominant in the region throughout that period. The narrative is articulated from a 15-year-old girl, Kambili perspective. Alongside her brother Jaja and mother, the girl suffers at the hands of an insensitive and abusive father, Eugene Achike (Dube 223). The complex character is comparatively used to demonstrate the gerontocratic power and the authoritarian patriarchal structure that dictates the society in Nigeria. Besides being a devout Christian and a wealthy businessman, Achike is a dogmatic Christian philanthropist who governs his family ruthlessly. Though he appears to be caring and loving to his household, he always imposes a harsh Catholicism version on his family on top of abusing them physically. Eventually, he becomes alienated from his extended and immediate family to the extent that his home turns into a ground of fear, gloom, aloofness, and silence among the feminine members of the household.

“Things started to fall apart at home when my brother, Jaja, did not go to communion, and Papa flung his heavy missal across the room and broke the figurines on the étagère”( Emenyo̲nu 37). The introductory line in the Purple Hibiscus tells how Adichie seeks out to use the novel to review the prevalent masculinity cultural perceptions. From this opening line, one can envision the kind of a father/husband; Eugene Achike is likely to be to his family throughout the novel.

The voice of Kambili in the novel opening is used to postulate the kind of father she has and to communicate how events unfold. Kambili tells of how her brother’s rebellion against their father crumbled everything. The reference also provides illumination of the noteworthy parallels between the Purple Hibiscus, and Things Fall Apart in the context of how the text works excellently in the end as the gendered critique. While the authors concentrate on the symbol and the role of the authoritative abusive father figure, Adichie offers a feminine standpoint representing the “the story that Okonkwo’s wife cannot tell,” as Heather Hewett stipulate.

“He poured the hot water on my feet, slowly, as if he were conducting an experiment and wanted to see what would happen. … I saw the moist steam before I saw the water (Akpome 9853)”. Kambili’s story reveals the trauma and suffering of the embattled women from domestic violence, insensitivity, and patriarchal intemperance. Despite the public image that paints Achike as a pro-democracy activist, a generous philanthropist, and a devout Christian, he is also a narcissist and a sadist who inflicts unbearable pain to his female children and women. Among the incidents of domestic violence includes his regular whippings of his wife, which are said to cause repeated miscarriages. He commits the most heinous action by pouring hot boiling water on the feet of Kambili inside a bathtub. Kambili is made to take responsibility for the two parties, that is Kambili’s and her brother’s Jaja’s failure to notify their grandfather of his intended stay with their family during a vacation.

Adichie offers a significant feminist liberation in Purple Hibiscus when she uses an illustration of a widowed university lecturer, also Eugene’s sister. The widower encourages lively debates, freedom of expression, and laughter among her children. Kambili familiarizes with liberty following her vacation at her aunt, Ifeoma, home. Despite the family having an inadequate source of finances, her cousins “appeared to simply speak and speak and speak (Ross 117).” According to Hewett, the situation of Kambili is complex. She encounters difficulties in self-expression on a few occasions, besides being silenced and not being heard (Kalra 6040). Kambili embarks on changing speechlessness and frostiness induced by the physical and psychological cruelties she agonizes at her home.

A rare Purple Hibiscus is used to represent the liberated voices of Kambili’s cousin that unlocks her possibilities of drawing the Bakhtin’s concept of heteroglossia. Besides, their polyvocality interjects and challenges Eugene’s monologue dominance. Also, their unrestricted dialogue inspires kambili’s self-awareness growth. Eventually, she entangles binary structure she had grown up which starts to untangle, seeing her beginning to question the rigid dogmatism of her father (Ejikeme 317). By disobeying her father’s moralistic cosmos rules, kambili figures her way out to express herself hence authoring out her own story.

“We cannot keep quiet, sit back and let it happen, “mba.” Where else have you heard of such a thing as a sole administrator in a university? (Akpome 9864)” Aunty Ifeoma sentiments signify that she is a real woman. Contrary to Mama, she fearlessly stands up for her rights regardless of the consequences. She acknowledges the misconduct in the school and is determined to voice out the truth before the situation gets worse. She argues that she is not paid for loyalty to the university and that she would continue telling the truth no matter what happens (Kalra 6038). Ifeoma bears the heart of a real woman who fights for her rights to the latter .she does not accept any form of intimidation.

The consequent unearthing, questioning of the father, and the affirmation of the female subject’s self-authorship signify the best touching way the Purple Hibiscus affects the modification of the national feminist narrative by the use of a fictional domestic dominion of the family as an allusion. The active, open-minded family of Ifeoma surfaces as an alternate dream of the new nation without the presence of a powerful patriarch as the dominant character. It is in this woman-led family that the polity gets to enjoy individual freedom and better civic. Adichie’s comprehensive strategy of ‘inversion’ and appropriation in the Purple Hibiscus resonates with the works of two other female Nigerian novelists like Buchi Emecheta, “The Joys of Motherhood” and Flora Nwapa “Efuru (Adichie 103”.” Adichie succeeds in challenging the patriarchal norms in the narrative by not only giving voice to the silenced woman but also empowering them.

In the end, Beatrice ceased being a traditional good woman and evolved to be a real woman who would voice her concerns without the fear of oppression. Besides, she had endured a lot of torture and humiliation from her husband, who was reluctant to change. She was willing to crush anything that blocked her way in the bid of happiness. Adichie deliberately included this part in the narrative to demonstrate that individuals who opt for the radical approach to realize happiness ought to have signaled a warning before going that way. Beatrice withstood all those kinds of humiliation as she saw it as a favor that Eugene had never considered remarrying regardless of her not bearing more children for him (Akpome 9867). The imposed submission to the husband by the African culture and her love for her children kept her stuck. Nevertheless, she made up her mind to break neither loose and refused society nor the church consideration to tame Eugene. Eventually, she resorted to killing her husband by the use of poison to fulfill the womanist vision of hope, revival, self –healing, and recuperation.

Conclusion

Adichie’s Purple Hibiscus has substantially contributed to feminist activism in the postcolonial society and on a global scale. The feminist work was aimed at challenging the menfolk’s dehumanizing propensities. Such desensitization is evident in character like Mama (Beatrice), who faces constant denial, humiliation, and dehumanization from her husband, Eugene. Initially, she is convinced that her marriage is a favor given Eugene disregarded the advice from his kinsmen to marry another wife. Generally, Adichie does not portray female characters as submissive and fragile but rather brave and vibrant. The audacious and vivid female characters in the Purple Hibiscus are influenced by people in real life. Right from Mama, aunt Ifeoma to Kambili, none of them despaired on any situation. Instead, they gave their all to solve the problem. Even though they were initially passive, they somehow changed through different circumstances bringing an upheaval in themselves. Adichie’s radical feminist paradigm is successful in spreading awareness of the patriarchal institutions’ revolutionary tenor, thus forming international influence.

Works Cited

Adichie, Chimamanda Ngozi, and Purple Hibiscus. “Women’s Engagement with Freedom.” African Freedom: How Africa Responded to Independence (2018): 103.

Akpome, Aghogho. “Cultural criticism and feminist literary activism in the works of Chimamanda Ngozi Adichie.” Gender and Behaviour 15.4 (2017): 9847-9871.

Dube, Musa W. “Purple Hibiscus: A Postcolonial Feminist Reading.” Missionalia 46.2 (2018): 222-235

Emenyo̲nu, Ernest, ed. A Companion to Chimamanda Ngozi Adichie. Boydell & Brewer, 2017.

Ejikeme, Anene. “The Women of Things Fall Apart, Speaking from a Different Perspective: Chimamanda Adichie’s Headstrong Storytellers.” Meridians 15.2 (2017): 307-329.

Kalra, Ms Aditi. “Silence and Speech in Chimamanda Ngozi Adichie’s Purple Hibiscus.” Studies in Indian Place Names 40.3 (2020): 6036-6041.

Ross, Michael L. “Ownership of Language: Diglossia in the Fiction of Chimamanda Ngozi Adichie.” Research in African Literatures 50.1 (2019): 111-126.

 

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Inspiration Writer

 

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Poetry has been my passion since I was at a tender age. The fact that it facilitates creativity and expression of meaningful issues so rhythmically has always fascinated me. This motivated me to take up poetry. It is a skill that I have continued to finesse over time, enabling me to become a seasoned inspiration writer. I believe that my work should be considered for the Nobel peace award.

Growing up in a small village in India was not easy. There were constant challenges especially due to limited resources. In addition to financial constraints, the incentive to rise and become a successful person was not always there. However, after stumbling onto various types of literature at school, I particularly took a huge interest in poetry. It didn’t take me long to realize and decide that this was my life’s passion. From there I strived to know everything about poetry, studying the great works of poets such as Shakespeare, Elizabeth Browning, Edgar Allen Poe, and even Sir Muhammad Iqbal among many others. In fact, works such as Maya Angelou’s poem ‘Still I Rise’ inspired me to become even a better writer.

Over time, I have managed to publish my first book of poetry which I poured all of my heart and thoughts into. It contains some of the best poetry of our times meant to inspire as well as address different contemporary issues in our society. It is meant to capture the attention of each reader and I hope that it will have the same effect on you. I believe that by reading it, this world will become a better place for mankind. Although I do not have prior publications or even affiliations with any groups, it is for these reasons that I believe that my book of poetry should be considered for a Nobel peace prize.

 

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The Motive of Utilitarianism and My Belief in It

 

Introduction

In our daily undertakings, we are constantly presented with moral dilemmas which place us in a position of decision making that can be confusing. If the distinction between right and wrong was very clear, then such dilemmas would not exist. In such situations, we have to weigh our actions as well as the outcomes carefully, to ensure that we do not end up being immoral. Various philosophers have come up with different schools of thoughts in regards to principles that we should apply in dealing with moral dilemmas. Such include moral theories such as utilitarianism and deontology. However, each of these theories has its strengths as well as shortcomings which require to be carefully scrutinized before deciding which one to apply. It is important to study utilitarianism, what it encompasses, and the motives of a utilitarian.

 

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Utilitarianism

Utilitarianism is a moral theory that follows the principle of utility, which is where its name is derived from. According to this principle, we are supposed to undertake the action whose outcomes give the most utility. John Mill Stuart, who utilitarianism is credited to, proposed that an action is judged to be right based on the happiness or pleasure that such an action brings about (Cahn 418). This is to say that the morality of any action is judged by its outcomes, rather than the action itself. A good example of utilitarianism is as follows: suppose that in a given hospital, there is a patient who is in a comma and furthermore, in a vegetable state. The doctor advises that the chances of this patient recovering are almost zero. His family has been struggling to foot the ever-increasing bills that are overburdening them. The situation is taking a toll on the children who are stressed up and cannot enjoy most of the luxuries due to limited finances. Upon inquiry, the doctor proposes that the best course of action is to pull the plug and allow the patient to die. This is a moral dilemma for the patient’s family. One of the options would be to not let the patient die and instead continue paying the burdening bills. The problem with this is that even if the patient recovers, he would be in a vegetable state hence it would be unfair to the patient and still burdening for the family. On the other hand, if the plug is pulled, the burden of hospital bills will be lifted and the patient will rest in peace, even though the family will mourn for him. For a utilitarian, the morally right course of action would be to pull the plug and allow the man to die.

The motive of utilitarianism

Like all the ethical theories, the motive of utilitarianism is to encourage and guide people in taking the morally upright action or rather the noble act. This doctrine further aims to bring happiness to this world rather than pain. To do this, mill recognizes that the person undertaking a given action has to act in the noblest way in making their decision while considering the outcomes that such a decision may bring about (Cahn 419).

One of the facts that I find great about utilitarianism is that it aims to bring the greatest happiness to the majority. According to the utilitarian standard, the happiness of others is much more significant than that of the agent. The agent, in this case, is the person undertaking the moral decision. Thus, such an agent must not take his or her own happiness into much consideration. In fact, John Stuart Mill is hasty to label the actions of Jesus Christ dying on the cross for mankind as following the principle of utility (Cahn 419). After all, Jesus went through all the suffering and pain so that people should experience more happiness. I would want to personally emulate such noble actions. This is not to mean that it always easy since most of the time we want the best for ourselves. There is always a great temptation to pick the decision that favors us best. It is in such situations that Mill encourages us to be noble (Cahn 420). He does this by appealing to our reason and asking for the better option between making a selfish decision to have it all but losing one’s humanity and making a selfish decision that leaves us dissatisfied but full of humanity. Thus, I feel encouraged by utilitarianism to be a better person who is selfless.

In its efforts to bring happiness to the society at large, utilitarianism not only ignores the happiness of the person undertaking the decision who is referred to as the agent, but also the happiness of the few people who might have to pay the price for that happiness. For instance, let’s take the case made by Bernard Williams. Jim is given the option of shooting one Indian to save the other nineteen (Smith and Williams 211). In such a case, utilitarianism supports this action. By doing this, it not only ignores Jim’s happiness but also the happiness of the Indian who will die. As much as such a decision appears logical, we still have to consider that it is a person losing his life. This one life cannot simply just be sacrificed.

This doctrine also imposes a duty upon us towards society. Utilitarianism expects a person to act for the common good of society at all times. There are situations whereby I would not mind acting for the good of everybody, but at other times I have to think of my own needs. Mill counters this objection by claiming that it is not a basis for protesting against utilitarianism. I, however, feel that it is a great and burdening duty to be placed upon a person. After all, doing the right thing should be more of intuition rather than heavy responsibility.

In the process of bringing the most happiness to the society, utilitarianism ignores the effect that certain decisions may have on the person taking those decisions (the agent) or those who may know the decision that the agent has taken. This is what Bernard refers to as remote effects in his case against utilitarianism (Smith and Williams 211). If I am given the choice to kill that one person in order to save the nineteen others and I go ahead and do it, it will definitely take a toll on me. Such an action will most likely haunt me for a long time and it might even lead to depression. Utilitarianism fails to take the psychological effect into consideration. The defense that such effect cannot be anticipated is not satisfactory. Another defense that Mill puts forward is that the person making the decision should do so without minding much about their feelings. This means that utilitarianism expects the decision maker to act as merely an agent who is disinterested. This is however not very simple given that human beings indeed have feelings.

Another weakness of utilitarianism is that it fails to anticipate the events that might unfold following the utilitarian decision. This is what Bernard refers to as the precedent effect (). It is possible that doing the action that brings the most happiness will also set in motion other events which may cause pain. Suppose that one person in a given rebellion, one person is willing to sacrifice their life so that others may be saved. But after being killed, the people he was dying for rise up to fight to avenge his death and in that chaos, even more people die. In such a situation, the decision was utilitarian but it failed to anticipate the events that may follow that decision. This is one of the things that Bernard is against (Smith and Williams 213). The utilitarian defense is that such events cannot be accurately anticipated since they bring about confusion. Utilitarianism, therefore, only deals with the immediate consequences of a given decision. I find this as a shortcoming of the theory. If finally there is little utility with so much pain, then it is only fair to conclude that such a decision was wrong from the start. Similar to the game of chess, one should instead think at least two steps ahead before making any decision.

My Views on Utilitarianism

In my perspective and understanding, I do not believe in utilitarianism. Although its motive is noble, there are several important things that this theory fails to put into consideration. Utilitarianism aims for morality and encourages people to do the right thing for the happiness of society. However, it fails to consider whether the action is wrong. In utilitarian standards, it is right to kill if the intention is to save many people and bring joy to them. Similarly, it is fine to steal if the stealing with result in the happiness of many people. When we start justifying acts such as murder, then we tend to lose the way. I believe that if an action is wrong, then it is wrong. There can be no compromise when it comes to certain matters. Furthermore, it fails to consider the psychological effect for the person making the tough decision. For this reasons, I do not believe in utilitarianism.

Conclusion

The motive of utilitarianism is to encourage people to be morally upright as well as assist in decision making especially while dealing with moral dilemmas. It does this by using the principle of utility whereby an action is either right or wrong based on the utility or the happiness it results in. I, however, do not believe in utilitarianism due to several of its shortcomings including the fact that it may allow a wrong action such as killing, it fails to consider the feeling of the person making the decision, and it fails to anticipate all the events that may result later on from the decision.

 

Works Cited

Cahn, Steven M. “Exploring Philosophy: An Introductory Anthology.” (2011).

Smart, John Jamieson Carswell, and Bernard Williams. Utilitarianism: For and against. Cambridge University Press, 1973.

 

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The writing styles of Shakespeare, Elizabeth Browning, and Robert Browning

 

Introduction

Shakespeare, Elizabeth, and Robert were all accomplished in their literary works, in their different eras. William Shakespeare made a name for himself as one of the greatest English poets and playwrights, not only in the 16th and 17th century but also up to date. Both Robert and Elizabeth Browning also came up as popular poets later on in the Victorian era. This essay compares and contrasts the writing styles of these three using ‘Backpack literature: An introduction to fiction, poetry, drama, and writing 5th edition’ by Kennedy and Dana as a source. Additionally, more insights about Robert and Elizabeth are sourced from Mary Sanders’ ‘Elizabeth Barrett and Robert Browning: A creative partnership’.

To begin with, Shakespeare dwelled more on plays and poems. His plays ranged from comedies to histories, and other times, tragedies such as Romeo and Juliet. Elizabeth was involved more in poetry with recognized works such as ‘The cry of the children’. Robert, just like Shakespeare also published great poems and plays and made a name for himself for his finesse in dramatic monologue and other times dialogue (Kennedy and Gioia 29). Some of his poems include A Death in the Desert’ and ‘A Grammarian Funeral’.

 

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Shakespeare’s writing style was that of iambic pentameter. In this style, the literature contains a rhythmic pattern of a stressed and unstressed syllable. The use of pentameter, in this case, is because his work contains five stressed syllables followed by five unstressed syllables to make one line. This style was considered traditional and even Shakespeare tended to move away from it. By the time Robert and Elizabeth began their works in literature; iambic pentameter was not very common (Pollock 50). For instance, Robert appeared to be more focused on dramatic expression that embraced a monologue. Elizabeth mostly used the ballad style, where she would write narratives in short stanzas.

Soliloquy was greatly used by Shakespeare especially when it came to the plays. It facilitated the expression of thoughts loudly and made it easier to set the plot such as in the infamous ‘Hamlet’ where he says ‘to be or not to be’ and also in ‘Macbeth’. The same cannot be said of Robert and Elizabeth. Robert tended to lean more towards monologue which differs from a soliloquy in that: soliloquy involves expressing loud thoughts where mostly one is alone. On the other hand, a monologue does not require one to be alone, thus other characters might be listening in (Kennedy and Gioia 29). However, in his works ‘Soliloquy of the Spanish Cloister’, Robert used this style extensively involving Spanish monk as the speaker.

Unlike Elizabeth, both Shakespeare and Robert were both dramatists. Perhaps one of the reasons for this is that Elizabeth did not venture much into plays like his husband. Furthermore, her poems mostly addressed social injustices and religion. Given that such themes may demand a slightly serious tone; this style may not have been very suitable for her. For Shakespeare though, dramatics was one of his major areas for which he is very popular. Both the language and actions of the characters are greatly dramatized to express themes such as love, betrayal, and even appearance and reality. Robert is well known for dramatic monologue which he extensively used to express irony and dark humor in works such as ‘Prospice’ and ‘Love Among The Ruins’ (Pollock 55).

When it comes to the depth of the characters, Shakespeare deviated from traditional styles whereby stock characters would be used in plays. Instead, he used characters that seemed real and this allowed the audience to relate more with the works. In addition to this, characters in Shakespeare’s works were of all social classes catering to all the audience needs, not just the elite class. This style was adopted by many who came after him including Robert. Robert’s characters such as Porphyria, Brother Lawrence, the Spanish monk, the Prior, and the hoary cripple are all characters who the common audience can identify with. Elizabeth’s poetic works did not involve much of characters although her message was contemporary as it were that time.

Unlike Robert, both Shakespeare and Elizabeth embraced the theme of love which made their works quite likable by the audience, not only then, but also now in the 21st century. Good examples of love poems include ‘How do I love thee’ by Elizabeth, and ‘Shall I compare thee to a summer’s day’ by Shakespeare. The language used in this works is that heavily evoking love and romance (Pollock 71). Perhaps Elizabeth is inspired by her love for Robert while Shakespeare also had his lover. Whichever the case, works such as Romeo and Juliet still find a favorable audience up to date due to their strong message of love. Robert’s work did not touch much on love, and instead, he ventured more into humor and irony as he looked into questions about this life through dramatic monologue.

Conclusion

Shakespeare, Elizabeth, and Robert were all popular for their literary work during their time and even up to now. Some of their writing styles were similar while others differed. Both Robert and Shakespeare ventured into poems and plays, while Elizabeth mostly wrote poems. Despite their different styles, they managed to write some of the best works which inspire us up to this day.

References

Kennedy, X. J. and Dana Gioia, eds. Backpack literature: An introduction to fiction, poetry, drama, and writing. Longman/Pearson, 2016.

Pollock, Mary Sanders. Elizabeth Barrett and Robert Browning: A Creative Partnership. Routledge, 2016.

 

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